Malaysian Watercolours

Anti-Drugs Poster Painting Competition 2008

2008-07-13T20:39:00.006+08:00

A piece in the spirit of watercolour by Liew Yoke Hui of SMK Jinjang. This piece won first place in the Lower Secondary School category.

There is a lot of talent among children as evident from the recent nationwide Anti-Drugs Campaign Poster Painting Competition held in Kuala Lumpur recently.

I had the opportunity to attend the state finals and was given the chance to speak to a number of judges and art teachers there. The medium of painting comprised soft pastels/crayons and watercolour/poster colour(gouache).

More than a dozen students were selected from 12 district champions qualified for the finals from which the champion will represent Kuala Lumpur at the National Finals in Kota Baru later this year.

The judges must have had a tough time deciding who should rightly win based on the high quality of the paintings. I know I was at a loss for words looking at the variety of subjects and colours each had chosen to paint their message on such a grim subject as drugs. The art teachers have taught their students well, indeed.

Although there were great similarities between the subjects, there are also some gems among the lot. Many should have won but were not picked by the judges for reasons best known to them. But there was certainly no lack of originality and unique concepts in this finals.

One thing I saw at this competition, which I think is very unhealthy, is how some parents become too involved in wanting their children to win - to the extent of bad mouthing their children's rivals' work that were selected. Even the judges were not spared.

My advice to these parents is not to take part in such competition if it drives so much stress into themselves and their children. The prize money is not much - only a few hundred ringgit - and certainly not worth the gripe nor the bragging rights should your child win.

The desperation to see a winning work in the hands of their children is not doing anything to encourage the latter's love for art. In all likelihood, your children is going to despise art for the misery their work brings upon them in terms of scolding from you parents!

Anyway, here's a video of the final winners. These are good in my opinion - what more could you ask for from teens from 13 to 17?

Mysterious Watercolour

2008-07-13T09:15:00.005+08:00

Once in a while, a gem emerges unexpectedly. This piece of painting was sent to me eight hours ago from a Mr Clive McDonald.

Clive said: "As far as I know it was commissioned by a distant relative of mine in the late 19th or early 20th century, while working in Malaya (then called) and has been passed down the family ever since."

From my limited experience, and knowledge, and insufficiently inadequate, I am afraid, I think this is a picture of a highlands Chinese farm. It could be anywhere from Cameron Highlands to unknown places of lesser altitude. (Or it could be in Japan - the architecture looks like those of old Japan, I feel)

Amazingly, this is a pretty accurate rendition of a farm house. The plants you see are probably some kind of vine - maybe longbeans? - and those with yellow flowers, I am guessing, are what Chinese mustards, called choysam in cantonese or sawi in Malay. At maturity, the flowers are lemon yellow in colour although here they appear to be quite a lot planted on such a small bed. I don't know what the blue flowered plants are though.

Look underneath the eaves of the house - the tiny bunch of poles are bamboo used for making trellises for for climbing plants. I am more certain that this is a local scenery. There is a signature which appears to be a Chinese name, with a seal.

I am not sure what the seal's inscriptions are because the image is too small to decipher - and because it is written in old Chinese script, it is even harder to understand. The signature also does'nt ring familiar.

I cannot say who is the painter and if anyone out there knows or have a collection of paintings of similar signature and style, please share your views with Mr Clive McDonalds. This picture could be worth a fortune, who knows?

The signature

Where Can I Get Information On KL Festival On The Net?

2008-07-01T08:27:00.002+08:00

You may call this bitching... but where the heck can I get information on one of the biggest arts festival in Kuala Lumpur, supposedly to be held this month in the capital and sanctioned by the Government?

Google it and you will get to a daily's news piece on June 29. But the domain name that points to the organiser's website ends up in a nought.

Considering the hoo-haa created about the City Hall wanting to wifi entire Kuala Lumpur, one wonders how an event as big as this could go missing on the web!

At the very least, last year, there was a domain to which you could find out more.

Wonder the logo is still the same like last year's (below)?

Londoners to get a taste of Malaysian Watercolours At Malaysia Week

2008-06-21T20:58:00.004+08:00

Next month, between 30 July and 3 August 2008, Londoners watercolour lovers will get a chance to see Malaysian watercolourists in action. Five Malaysian watercolourists - five Malays and a Chinese - will be representing the nation's aquamedia fraternity in London during the Malaysia Week, an annual cultural and arts extravaganza.

There will be two venues, but the Malaysian watercolourists will be based at Potters Fields Park, Tooley Street, Southwark, London SE1. Between 10.00am and 6.00pm London time, daily, they will be showing off their works and perhaps, if time permits, even paint or two.

If you love watercolour art, this is your chance to grab hold of some very good and rare work of Malaysian artists.

This writer is not at liberty to release any names as all have been kept under wraps by the organisers lest it triggers unwarranted debates and ill-feelings among those not selected for the overseas event.

Suffice to say, these are seasoned artists and their works have appeared in this site.

Liew Choong Ching Introduces New Concept

2008-06-11T08:00:00.005+08:00

Love: 40" x 60"

Artist Liew Choong Ching, who has just tied the knot, has informed switched to concept art. Leading this is his Button series, in various sizes and done in oil.

Kingdom, 60" by 60"

If you recall, Liew debuted with his very interesting Balinese series and later his frangipanni and mangosteen, before moving to Penang and established himself there with his abstract portraitures, which exhibited to much success last year.

Happiness, 56" by 56"

Malaysian Art Through The Ages

2008-06-08T19:20:00.006+08:00

Iconic work in acrylic - 49 Squares by Tang Tuck Kan

THE National Art Gallery is holding a SusurMasa exhibition featuring art through the ages in Malaysia. This is one of the rare opportunities to look at the history of art as well as get to know the artists and artisans who were pioneers in their own field.

Watercolour Work by AJ Rahman

If you are in Kuala Lumpur, check them out. Admission is free and the National Art Gallery has this time done a good job to showcase the works. Even unframed oils have been displayed behind a protective perspex board, thus barring itchy fingers from scratching the surface of these age-old work and defacing them.

Pack of tigers by Chung Chen Sun

I am expecially impressed by the collection of watercolour greats such as AB Ibrahim, Abdullah Ariff, AJ Rahman, and of course, the Father of Malaysian watercolour, Yong Mun Sen. Rare among the lot are those by Chang Fee Ming, Long Tien Shih, Chung Cheng Sun and Tew Nai Tong. You also get to see oils and acrylics, both impressionistic art as well as abstracts.

A watercolour piece by AB Ibrahim.

A rare piece by Long Tien Shih in oil

Watercolours Class Art - Update So Far: We have 6, Can we get another 4?

2008-06-04T21:43:00.003+08:00

If you recall, I posted an earlier piece on watercolour class art to be organised by a watercolour artist in the heart of Kuala Lumpur.

Like all painting classes, this one will be held outdoor at a venue of the artist's choosing. This will allow for creative expression according to each student's expression and impression.

At the moment, there are already six readers of this blog who have expressed an interest to learn from the artist. I am waiting for four more to hand over the artist's contact numbers to you people to contact.

Note that I am not the person holding the course. I am merely helping the artist to gather this small group. Do not send me any payment. Once the number reaches 10, I will have over your contacts to the artist and you will have to register with him.

Can You Live On Art Alone?

2008-06-03T07:44:00.001+08:00

Came across this news some time back. It was to highlight the success of a local Malaysian Chinese artist - a digital artist or photographer if you like, but nevertheless the artist.

Read on:

Malaysian’s work of art fetches RM117,000 at Christie’s

KUALA LUMPUR: A digital art piece called Huminodun by Malaysian artist Yee I-Lann was sold for more than RM100,000 at a Christie’s auction in Hong Kong on Saturday.

The work is one of Yee’s “Kinabalu series” which explores the eroded spiritual power of a Kadazandusun woman and her shifting relationship to her land.

Huminodun is based on the Kadazandusun creation story where a woman created the earth and padi and thus created her community.

Yee said she was shocked to hear about her piece being sold for US$38,000 (RM117,000).

This is the picture that made heads turn.

Stories like this are few and far in between.

How many ever made it to international acclaim? Is Malaysia suffering from such a artistic drought that every once in five or ten years someone makes it big out there?

Do we have good Malaysian artists for that matter?

The often exchanged advice to beginning artists is this: If you want to make it, go overseas. That used to be true. Not anymore, I think. Air travel and information exchange have never been easier and I think there is a fair share of foreign conglomerates that are based in Malaysia who have been contributors to art in their homeland. I have however yet to know of any that contributes to local art scene. Why this is so is pretty obvious.

If you have been following the art scene, you would not be amazed. Or surprised. If you have been talking to artists, especially the talented and struggling ones, you will know that a handful few would compete fiercely for the little that goes around. And what have the people appointed to take charge of the arts scene in Malaysia?

I have been proposing for a proper art marts in Kuala Lumpur since the demise of the Laman Seni. Is it any wonder? Here, we have a good concept that is drawing crowd way back in 2006-07.

Despite the lack of promotions, the art mart was only beginning to draw crowd. And wham, one day, it ended out of the blue - it was shifted to Putrajaya.

The intention was good - but ill planned. Not many art enthusiasts can make the 40km journey south of the capital. Not many tourists know where it was although many would have read up about the location of Kuala Lumpur's galleries, and the National Art Gallery, and could easily take a bus, cab or even walk there. And what happened was the demise - already predicted by the artists who were invited to showcase their art at the Zouk. Unfortunately, none wanted to offend the authorities and kept quiet.

Today, the motley crew of artists who used to take part in the once-a-month event are spread all over the Klang Valley. Some struggling to make ends meet, others having switched to art-related events which they could use their skill.

Looking back, one wonders if an artist can truly call himself a fulltime artist and live on his/her artistic creations alone. With rising prices, the future doesn't look too good. And I sympathise with them...

Are you Aware of This Artists Day?

2008-06-01T07:33:00.001+08:00

I was going through the website of the National Museum and found this entry:

29 May 2008
Location : Merdeka Hall, Putra World Trade Centre, Kuala Lumpur
Synopsis : The Launching of National Artist Day 2008
Time : 9.30 am - 12.30 pm
Merdeka Hall, Putra World Trade Centre, Kuala Lumpur
The Launching of Artist Day is to appreciate the contribution and roles of local artises in shaping Malaysia as kind-hearted, highly sprited and valued arts and culture as part of their life through arts programmes.
Artist Day will officially be launched by Y.A.B Dato' Seri abdullah Haji Ahmad Badawi and will be participated by artistes, local performers that have been contributing in the local entertainment industry.
Everyone is invited.
Malaysia National Film Development Cor[oration (FINAS)

This post was taken in its entirety - including the spelling mistakes.

I have asked several artists and they said they knew nothing of this sort. I pondered and found out what happened. The artists here meant artist-es. The people who perform on stages, singers and dances and choreographers.

Not THE ARTIST you and I know. I now know why artists I asked knew nothing of the event. Whether the event was held or not, I am also unsure as I did not remember seeing it in the papers, heard it on the radio or see it on television.

Which brings me to another question:

Do you think we can actually have an ARTISTS DAY dedicated to the true artists in Malaysia, celebrated or struggling, to recognise their contribution? I am talking about the real artists not artistes. Perhaps, even an ARTS DAY.

Artists in Malaysia have been divided both by status and accomplishments. For a nation marching towards developed status, it will be a pity if we continue to neglect the sculptors and documentators of our journey.

In May's Leisure Painter

2008-05-28T08:35:00.007+08:00

As usual, we in Malaysia get it late. The May edition arrive at the bookstores on May 24. But better late than never!

Okay, let's look at what this month's feature carry. As you can see from the above, there are plenty as usual to learn from across a wide variety of media. Watercolour still rules here.

If you have been following the last issue's back to basic, you should buy this month's edition because Brian Ryder continues with Part 2: Add Colour To Ink Drawings. Here Ryder shows how to use both water-soluble ink as well as non-water-soluble ones.

I especially liked the free strokes in this, as you can see from the last picture on a harbour - Binham, North Norfolk in pen and wash. If you want to know how to achieve looseness and spontaneity in pen and wash, check Ryder out.

Other interesting issues this month is the Lesson in the Landscape by Kari McGowan. Follow step-by-step how McGowan recreate a painting of Dartmoor, fast and loose in watercolour.

There is also a section on painting the face and one on how to draw tulips.

Old Tree By The Lake

2008-05-24T17:31:00.002+08:00

This was done of a particular spot at the National Zoo. I saw this old tree by the main lake in the heart of the zoo. There were herons, couple of flamingoes and painted storks around but I have chosen to exclude them to focus on the tree.

The style in this piece was adapted from John Lovett's techniques which I find incredibly fun and easy. I think watercolour should not be laborious simply because if it were, then it would have lost its mysticism. Best way is to let the colours do their work.

Watercolour Class Art Anyone?

2008-05-10T06:32:00.000+08:00

Update (15/05)
Are there any more takers? So far we have only three enthusiasts. Are there any more coming? We need at least 7 more to make it worthy for the artist to teach. The class will be held in the city centre, accessible by major public transport. If you wish to join this Class Art for adults, write to me. Thanks.

Good News.

Over the past three months, this site has been receiving numerous enquiries to hold watercolour classes for beginners, particularly adults who would like to take up watercolour as a hobby.

Because of the interest shown by the enquirers, I have spoken to some artists to see if this was possible, to hold an art class on a weekend so that working adults can find time to join. The class would be informal, of course. Not many were keen unless some form of compensation for their time is offered. Otherwise, they, being professionals, would be better off painting.

As such, it is proposed students pay a nominal fee of say RM80 a month for a three-month course. The class is held on Saturdays from say 10am to 2pm and students are taught the basics and the classes conducted outdoors at a venue of the artist's choosing, painting live subjects. This will be a good way to learn watercolour art as it should be.

Well, after much persuasion, one artist, a prominent watercolourist, has agreed to teach watercolour painting. The tentative target month is July and only if there are enough participants.

If you want to pick up watercolour, let me know. Post your comment below. I will see the response before approaching the artist again. Tell me your thoughts and suggestions as to the fee, time or venue in the comment below. You may also write to me via email at editor@malaysian-watercolours.com.

A Marvellous Instructional Piece In Splashing Paint

2008-05-09T10:12:00.004+08:00

I have not seen a longer running instructional DVD than I had with John Lovett's Splashing Paint. And having gone through over 120 minutes of 'personal instruction' by Australia's leading artist, in 16 thoughtfully prepared, very detailed lessons, I am quite convinced that every beginner can benefit from it. established painters may also find some gems within.

Why?

Because Lovett takes you right from the basics to the many advanced techniques that he uses in his very striking watercolour pieces, loose and simple. For AUD77, I think it is quite a steal, and the good thing about this DVD (as with other DVD learning tools) is that you can go back to it at any time you wish, as many times you want, and get as many refresher courses as you like.

Simple Palm Tree - John Lovett

In the introductory chapters, Lovett covers the basics, talkling about materials and techniques, swiftly. Then he shows how watercolour can be painted simply and loosely - trademarks of his art works.

I love the jazzy background music that accompanies each instruction as i do the little notes that are presented as the artist show you the behind-the-scene work on each piece, takling subjects from simple skies to more complicated street scene and outdoor panorama.

Atmosperic Skies - John Lovett

Whether it is using a one-inch brush or types of paint colour, each session is presented clearly in ways you can quite easily understand - and put to practice. And you learn by simply following his work and, hopefully, come up with something you can be proud to hang on your wall.

I have always wondered how Lovett created the misty air around his pieces, the atmospheric effects that exudes mystery. I found it in this DVD - his secret: gesso and gouache and rubbed in with a hake brush! This was revealed in the chapter Taking Risks, in which Lovett transformed a finished painting into an even better one with loose introduction of gesso and gouache, and detailing the subject to bring it out to the viewer's attention.

Can anything can get more complicated than this? John Lovett's harbour scene.

Another section I find extremely useful is the one on how to simplify the subject. If taking on a full-coloured scenery is daunting, Lovett shows how, by grouping objects of similar values and colours, can help you approach complicated subjects more confidently.

The artist spent quite some time on water and reflections although there is already a specific chapter on reflections alone. If you are sharp, you will be able to see his secrets unveiled as he dabs the paints and splashes them to give impressions of reflections of subjects such as boats on water.

The DVD ends with Lovett teaching you how to set up your studio, from arranging the working table and tapping hte best of natural light to setting framing tables and using artificial light. All these are sensible applications which could easily be overlooked but because they are presented as one of the many tips in Splashing Paint, you would be reminded to give them some thought when you are rearranging your work space for optimum productivity and pleasant painting session.

Splashing Paint can be obtained at www.splashingpaint.com.

Leisure Painter April - Drawing Children's Faces

2008-05-05T21:48:00.002+08:00

One of the most interesting articles in April's edition (yes, we in Malaysia are a deprived lot, receiving the month's edition at month's end mostly!) is that by Juliette Dodd on painting children's faces - one of the most difficult subjects to draw.

In this issue, Dodd shows the way of how to proportion the face in seven steps. Not only are you taught to draw front profiles, but side as well, and these are requirements if you ever hope to draw portraits well and not doing Mickey Mice or Potato Heads!

Another interesting feature I find in this issue is David Bellamy's tips on making your watercolours sparkle. If you are wondering how Bellamy makes his subjects stand out via hilights, this issue will show you how. And oh, there is also an exciting version on keeping sketchbooks - everything all of us aspire to do but never quite get down to it.

Can't Malaysian Paper Manufacturers Produce Good Watercolour Paper?

2008-04-19T07:47:00.003+08:00

Most of the watercolour papers we see today are that from the West. Not that they are no good but the exchange rates are certainly not in our favour.

According to my sources, the price of paper across the board will be up by at least 30 per cent next year. Some of the good brands are already up by at least 20 per cent if you were to frequent art shops.

Paper is something you cannot stock and if we know little of how to store it, then it will be investment down the drain as the paper yellows and loses its fine quality.

There are several Malaysian companies which produce good drawing blocks. Over the past three years, many ventured into acid free paper which is quite suitable for watercolour work. The grammage, too, is good at 300gsm.

Right now, the only market leader is Chee Wah Corporation which goes by the brand name CAMPAP. Others produce mediocre blocks for use in schools, which is quite a lucrative market. Chee Wah also produce good watercolour, oil and acrylic paper and boards. However, what little stock the have are usually sold out and it is quite tough to source for them, even in Kuala Lumpur.

For the sake of watercolour art and future of watercolourists, I hope there is a manufacturer who will be willing to produce good paper. Afterall, the material is right here under our noses in the orient.

Whatever happened to the Putrajaya Watercolour Exhibition?

2008-04-15T07:45:00.003+08:00

Someone who read about the Putrajaya Watercolour exihibition held between 5 Aug - 10 Nov 2007 last year which I highlighted in an earlier post wrote to ask me when the results will be released.

I am wondering about it as well since several artists have been informed that they have won and their work would be exhibited.

That notification, made by mail, came sometime in February, I was told. However, to date, I have not heard any more about it publicly.

If you are one of the participants or winners, and would like to know more, perhaps you can visit their website here.

Of if you have the time, call Baharuddin Aziz (Timbalan Pengarah, Jabatan Landskap, Perbadanan Putrajaya,Kompleks Perbadanan Putrajaya,24, Persiaran Perdana 62675 Putrajaya) at 03 - 8887 7138

Art Bazaar At KL Railway Station

2008-04-05T23:00:00.002+08:00

Its days are numbered, but someone has found a creative way to "rebrand" the Kuala Lumpur Railway Station - probably as an art bazaar.

I know, you may not have heard about it before unless you stop over at the Railway Station. And these days, you don't need to as it is no longer useful as a transport hub because the next stop - KL Sentral - is much, much more useful and convenient.

Anyway, I found out that there is an art bazaar at station. Whoever put it there, I must say it is a good idea and the limited few stalls that I saw showed some potential as a mini art mart - nothing more, and even that, if you noticed them.

Perhaps, this is what the owners of KL Railway Station building can think about - turning the station into a viable economic venture than let it go to waste and grow cobwebs on the ceilings. With the Central Market a cough away, this could be yet another heritage reclamation project. And why not!

Anyway, from the art work on display, I gathered that there are only a handful of artists exhibiting. And selling. There are some watercolour and some oil. Some abstract, some sketches. The latter I liked a lot - splendid architectural pieces done in ink and pencil, depicting the nation's landmarks.

Seeing this place reminds me of the Laman Seni which is now but a memory. It was set up to give artists a place to converge once a month and sell their work amidst a carnival-lie atmosphere. Just when it was about to reap its first taste of success, some big brother decided that it would be better off in Putrajaya, and so it was dismantled and artists who sold here was invited to move to Putrajaya.

The idea fell splendidly on its face and without Laman Seni, few people find reason to visit the National Art Gallery in Jalan Temerloh. Otherwise, the first Sunday of every month is looked upon by people living around the Lake Titiwangsa area, which is just a stone's throw away from the gallery.

Footnote: Hopefully the new Tourism Minister Shafie Apdal will read this blog and perhaps bring back the Laman Seni? You can't draw crowd to the gallery with art alone. Activities like Laman Seni is important and popular. Just look at Amcorp Mall's flea mart. There is a lesson to be learned there. Bring back the Laman Seni at Balai Seni Lukis Negara and I bet your last packet of nasi lemak the crowd will be back and the National Art Gallery not so eeriely deserted on weekends.

Monsoon Gust - By Abdullah Ariff - To Be auctioned

2008-03-28T06:32:00.005+08:00

I have been informed that an original watercolour by Abdullah Ariff titled "Monsoon Gust" will be sold at auction on Tuesday (May 27th) by the Rowley's auctioneers in Newmarket, Suffolk, England.

According to Silas Currie (Auctioneer and Head Of Valuations
Rowley's - Fine Art Auctioneers and Valuers), the work was signed and dated 1955 and measures 37 by 54cm. I was also informed that the reserved price would be around 3,000 British Pounds.

If there are any Malaysians out there - as the National Art Gallery has not made any enquiry about it since I listed information and whereabouts of this national treasure on this site and even after having written to one of the officials of they were interested - here is your chance to bring the work home.

Thank you.

Derwent's Wash Pencils

2008-03-26T05:47:00.000+08:00

I found these at the local art store - Derwent watercolour pencils for washes. I had earlier last year found its watersoluble graphite pencils but found them to be too dark and smudgy.

These however are more forgiving and produce pretty good and even washes. I only found Medium and Light grades, but I suspect there are other grades. Too bad the art store did not have a catalogue - old stock I think.

As you can see, I did a sketch on an old tyre on the deck of a wooden boat, alternating between light and medium grades in areas of contrast. For deeper values, I go over the first lines of medium grades to produce really dark areas (value 8?).

Oh, they cost about RM2.50 Malaysian each.

Tsunami Painting Revisited

2008-03-25T08:29:00.003+08:00

I drew this scene sometime back. Wasn't quite satisfied with it. It was a picture of Sri Lanka after the tsunami. The fishing boat is left high on a sandy hillock some distance from the sea. At its left is a mess of a smashed-up fishing boat. In this piece, I introduced a human form, a fisherman walking in the foreground possibly checking the damages.

Leisure Painter March

2008-03-25T08:15:00.003+08:00

As usual, in Malaysia, you get UK magazines of the month in the middle of the month, sometimes even at month's end.

This month's Leisure Painter is must read for drawing enthusiasts for Ray Campbell Smith teaches Part 3 of his Drawing Matters section. I especially like the section on how to correct compositional errors (see picture below). I think if you start right in composing a picture, then the rest will sort of fall into place.

Other interesting sections include loosening your watercolour landscapes and for beginners, easy colour mixing tips.

By the way, this month's issue also carries a Painting Courses catalogue and if you are interested in planning a painting holiday, check it out.

MWO's Annual Show

2008-03-22T21:22:00.004+08:00

The Malaysian Watercolour Organisation's annual show is a much awaited affair among watercolour lovers and this year is no exception.

Being held at the NN Gallery till April 15, this year's exhibition should not be missed if you are seriously considering collecting some very good pieces from the nation's top watercolourists.

For those unaccustomed, the Malaysian Watercolour Organisation is one of the most active organisations dealing in watercolour in Malaysia. Among its stable of painters include Chow Chin Chuan, Calvin Chua, Yong Look Lam, Sani Md Dom, Rafiee Abdul Rahman, and Mansor Ghazalli, among others. Under the able leadership of Tan Sri Samsuddin Osman (the patron) and Dr Wong Seng Tong (president), the members have come up with some striking works this time.

Over 80 pieces works of art on a wide range of subjects, mostly striking landscapes such as fishing villages and kampung scenery, plus some townscapes have been put up by over 40 members and this year's works are extremely good. I will not spoil the fun telling you more here but will give you an peep into some in the photos below.

Khoo Cheang Jin's Village Scene

Wong Seng Tong's Climbing Fishing Boat

Choh Kok Kheong's Approach

Note: NN Gallery is located at 53A & 56 Jalan Sulaiman 1, Taman Ampang Hilir. It is open from 9am-6pm (Mon-Sat) and closed on Sun and Public Holiday. For details, call Syed Nabil: (03) 4270 6588

Searching for Mekong's Source - Cheng Fee Ming's Latest Show

2008-03-20T07:13:00.003+08:00

ABOVE: Some of the sketches Chang did
Renowned watercolourist Chang Fee Ming is having an exhibition of his latest works which resulted from a four year-effort documenting the highlands of Tibet along the route of the great Mekong. This exhibition is the sequel to the Mekong 1 show held at Petronas Gallery four years ago.

Currently held at the Valentine Willie Fine Art gallery in Bangsar, the exhibition titled Mekong: Exploring the Source, took the Terengganu-born Chang, 49, to the Tibet-Yunan border.

Sixteen major works, (14 full-size (56 x 76cm) and two diptychs, as well as numerous sketches that he did during the journey.

The show ends in April.

Galeri Shah Alam Open Exhibition 2008

2008-03-10T12:20:00.003+08:00

The gallery is organising an open show with a free theme with RM1,000 prizes for the top five paintings. Closing date is April 24, 2008. For details, call at

GALERI SHAH ALAM
Persiaran Tasik,
40000 Shah Alam,
Selangor

or phone:

Tel: 03-55105344/ 55106045
Fax: 03-55102081
e-mail: galerisa@streamyx.com
http://www.galerishahalam.org.my

Lovett has produced new DVD

2008-03-07T08:44:00.002+08:00

Aussie artist John Lovett has just produced his latest DVD on his painting techniques entitled Splashing Paint . In this two-hour (wow!), Lovett shows how he works on 16 different projects, ranging from painting trees to creating atmospheric effects just like a professional artist.

According to the materials available, the DVD will help you avoid mixing muddy colors, make smooth, even washes, drawing clean, confident lines with a brush, and even choosing colour temperatures.

Just click on the links above to find out more about the DVD and pricing.