Saturday, September 26, 2015

Father of Malaysian Portraiture - Mohamed Hoessein Enas

Kelantanese fishermen landing their catch,
a watercolour by Hoessein Enas
Hoessein Enas, Father of
Malaysian Portraiture
Mohamed Hoessein Enas (1924-1995) came to Malaya from Bogor, Java in 1947. Largely self-taught, Hoessein painted in the European style of realist portraiture. He painted mostly portraits of royalty and prominent people of his time. he was instrumental in setting up the Majlis Kesenian Melayu (which later became the Angkatan Pelukis Semenanjung) in 1956. Hoessein Enas was appointed Royal Portrait Painter to then Sultan of Selangor in 1990.

A sketch by Hoessein Enas,
 a traditional fishing boat. 
Although well known for his works in oils and pastel, lovers of Hoessein's works can enjoy some of his watercolour works and sketches currently on display at the Ilham Gallery in Jalan Binjai, Kuala Lumpur.

The Hoessein Enas Exhibition is part of the newly-opened gallery’s inaugural show called Picturing The Nation. About 200 works by Hoessein Enas are on display here, comprising about 30 paintings and the remaining sketches. For watercolour lovers, check of the works by the Father of Malaysian Portait Painting.

Ilham Gallery is at Level 3 & 5, Ilham Tower in Jalan Binjai, Kuala LUmpur. Opening hours are Tuesday to Saturday (11am–7pm) and Sundays (11am–5pm)
The gallery is closed on Mondays. Admission is free.
Ploughing the land, a sketch of a padi farmer with his buffaloes tilling the land

Wednesday, August 05, 2015

Phang Chew makes vroom for art

Phang and wife Goh Yoke Lean.
Born in 1945 in Ipoh, Phang Chew is a familiar face in the Perak capital. Not only is he instantly recognised by his peers in the motorcycle business and superbikers but also by art lovers who have been following his journey as an artist. Phang can be often seen painting the street scenes of Ipoh old town or capturing the beauty of the tin-mining town’s outskirts. Sometimes he paints alone or with his artist friends, but on most outings, he is joined by his wife, Goh Yoke Lean.
Mrs Phang is also an accomplished painter.
Looking more youthful than his 70 years, Phang received his secondary education in Yuk Choy High School, where his artistic journey began. Recollecting his early years, Phangattributed his early interest in art to his art teacher Hu Zhui Guang.
“Hu would ask us students to do murals for the school and encouraged us to take part in art competitions if we wanted to see how good we were,” said Phang with excitement in his voice. “That was when I discovered that I have a talent in art.
“When I left school in 1964, I did not have a chance to attend an art college although I liked painting a lot,” he said. “So I went to work with a signage maker instead. But the job lasted a short while before I decided to join a motorcycle company for better prospects as a manager. That led to me setting up my own motorcycle dealership named Motoranda in the late 1980s which sold superbikes.”
Mrs Phang keeps an eye on her students, always generous
with her knowledge.
Despite being busy with his business, Phang continued to paint after work hours. His wife, who was also helping him in business, shared his love for watercolour.  When they were free during the weekends, the couple would seek out subjects for their watercolour paintings in places far and near. These ranged from the scenic hills of Tambun to the old houses in quaint villages in Batu Gajah.
In 2003, at the age of 58, Phang decided to sell off his superbike dealership. “I was getting too old to keep up with the pace and my son was pursuing a different line of career in university. But the main reason I made that decision was because I wanted to pursue my dream as a full-time artist.”
Six years later, that decision led to Phang holding his first solo show in Kuala Lumpur at the Balai Berita gallery of the New Straits Times Press (M) Bhd. Today, leading a more relaxed life fulfilling their passion, Phang and his wife, who are also founder members of the Perak Art Society, continue to contribute to building Perak’s watercolourists. During the weekends, the couple teaches school children watercolour painting.
One of Phang Chew's watercolours, recording a scenery
near his home.
“I started teaching children because it was fun,” said Phang. “I have to produce watercolour pieces quickly for each class and that is a challenge I look forward to each week. As I do these pieces, I find that I have also improved a lot. My students are also very eager to learn, which makes teaching even more rewarding.”
If Phang finds his students’ interest waning, he tells them how lucky they were to be able to have access to proper art instruction.
“I tell them that when I was their age, even if I had money, there was no one to teach me the proper way of painting. On the other hand, they are more fortunate as they are not only able to learn art from a senior artist like me, but they also have access to good art materials to produce good works.
“Painting in watercolour is not just about putting colour on paper,” said Phang who credits his knowledge in watercolour to his Singaporean artist friend Peh Eng Seng.
“Watercolour painting is a very powerful way to express one's feeling. It can be effectively used to represent the vision of the artist on a piece of paper,” said Phang who prefers to paint on site.
“Nature inspires me. When I am out there painting, I feel really free to express myself and capture what is before me according to my own interpretation.”
As the couple enjoys their twilight years pursuing their passion for art, Phang has only one immediate task.
“As a senior artist, I want to keep myself as healthy as I can so that I can do better paintings, hold more solo shows and contribute to the art scene.